The esteemed Moscow Art Theatre (MKhT) named after A.P. Chekhov has officially raised the curtain on its 128th theatrical season. Under the keen direction of Artistic Director Konstantin Khabensky, the troupe gathers with a declaration of intent: “We begin to work eagerly!” This season promises a vibrant blend of classic interpretations, literary anniversaries, and innovative experimental works, all while pausing to honor the legacy of those who have shaped its history.
A Season of Remembrance and Renewal
The traditional company gathering at MKhT was, as ever, a succinct affair, immediately preceding a dress rehearsal for the season`s first premiere. However, the customary enthusiasm was tempered with a moment of solemn reflection. Khabensky, addressing the assembled artists and staff, acknowledged the profound losses suffered by the theatre. “Fate makes adjustments to our lives,” he began, before naming Raisa Maksimova, Evgenia Dobrovolskaya, Natalia Tenyakova, and the tragically departed director Yuri Butusov. His words underscored a collective commitment: to move forward, not without their support, but by carrying the memory of those who made the theatre “authentic.” It’s a poignant reminder that while the show must go on, the stage holds the echoes of its past.
Yet, the theatre also made time for celebration. Summer-born members of the troupe were honored with hearty applause, a testament to the close-knit community within the theatre`s walls. A special tribute was paid to the legendary Oleg Tabakov, who would have marked his 95th birthday in August. The MKhAT Museum has already unveiled a lavish exhibition in his honor, and MKhT itself plans a special evening on October 26th, the theatre`s birthday, where artists will “share memories and love” for the beloved figure.
Adding to the celebratory mood, the troupe welcomes new talent this season, with Владислав Ветров (Vladislav Vetrov) and Андрей Максимов (Andrey Maksimov) joining the ranks, poised to contribute to the theatre`s rich tapestry of performances.
Main Stage Highlights: Bulgakov, Shakespeare, and Tolstoy
The 128th season is set to feature an ambitious nine new productions, beginning with the highly anticipated premiere of “A Cabal of Hypocrites” (Кабала святош) by Mikhail Bulgakov, directed by Yuri Kvyatkovsky. This choice carries significant historical weight. The original play, a searing critique of power and art, faced severe censorship. Though approved for production in 1931, it was indefinitely postponed, leading to its eventual, tragic premiere in 1936 where it ran for a mere seven performances before being banned outright. This new staging marks the fourth interpretation of Bulgakov’s work at MKhT, a theatre with a shared, complex history with the playwright.
A striking “rhyme” with previous seasons emerges as another Bulgakov masterpiece, “Don Quixote,” takes center stage. Directed by Nikolay Roshchin, who last year helmed “The Suicide” – another play with a notoriously difficult journey to the stage – this production marks the first time “Don Quixote” will be performed at MKhT. Khabensky noted that Roshchin consistently tackles works that “our predecessors, for one reason or another, were unable to stage at the Art Theatre,” suggesting a deliberate effort to reclaim and realize these historically significant pieces. These two Bulgakov premieres are particularly timely, commemorating the 135th anniversary of the celebrated writer.
Later in the season, audiences can anticipate a monumental production of Shakespeare’s “Hamlet,” with the acclaimed Yura Borisov cast in the iconic leading role, under the direction of Andrey Goncharov. Beyond Shakespeare, the theatre is also preparing for Leo Tolstoy’s profound drama, “The Living Corpse” (Живой труп). While rehearsals are slated for the latter half of the season, its full debut may extend into the 129th season. Khabensky teased further intrigue, confirming that Philip Yankovsky will take on the role of Protassov, with the director currently in negotiations, promising that “everything will be well.”
Exploring New Territories: Small Stage and Experimental Works
The MKhT’s commitment to diverse storytelling extends to its smaller stages, which will host a series of compelling premieres:
- “Idiots” (Идиоты), an adaptation of Dostoevsky, directed by Sergey Volkov, is anticipated by Khabensky to be a “good theatrical explosion.”
- In December, Denis Azarov will present “A School for Fools” (Школа для дураков), based on Sasha Sokolov’s renowned novel.
- March will see Filipp Gurevich directing “Bury Me Behind the Baseboard” (Похороните меня за плинтусом), an adaptation of Pavel Sanaev’s famous novella.
- Dostoevsky returns with Maxim Melamedov’s “Kolya Krasotkin” (Коля Красоткин), derived from the “Boys” chapter of “The Brothers Karamazov.”
The experimental New Stage is set to deliver unique experiences. Arseniy Meshcheryakov will direct “Viy” (Вий), inspired by Gogol`s chilling novella, a production specifically aimed at a younger demographic, described by Khabensky as “lovers of quests and horror films.” Additionally, the “ARTHAB” experimental laboratory continues to develop its ambitious project, “Shakespeare’s Sonnets,” which, Khabensky hopes, will be “brought to perfection.”
The Enduring Appetite for Art
As Konstantin Khabensky concluded his remarks, a touch of self-aware irony graced his words: “I wouldn`t say this is the final list of our premieres because appetite comes with eating, but somehow we are trying to restrain ourselves.” This playful note encapsulates the theatre’s boundless energy and passion for creation. The 128th season at MKhT Chekhov is not just a calendar of plays; it is a dynamic journey through theatrical heritage and a bold leap into contemporary interpretation, driven by a dedicated troupe eager to enchant, provoke, and inspire. Moscow`s theatrical landscape remains as vibrant and essential as ever, and the MKhT, with its blend of reverence and audacious spirit, stands at its pulsating heart.
