The Moscow theatrical world finds itself in an unexpected state of agitation. The Gorky Moscow Art Theatre (MHAT), previously perceived as navigating calm waters, is now at the center of attention. Its Director General, Vladimir Kekhman, was recently summoned by the Investigative Committee to provide explanations regarding alleged violations during the theatre`s reconstruction or repair work. While described as a “witness,” the very act of being called before investigators carries a certain weight, suggesting the situation is far from routine.
It is relevant to recall that Vladimir Kekhman was appointed to this post by Minister of Culture Olga Lyubimova in late October 2021. Upon assuming leadership, Kekhman swiftly initiated renovation work, acknowledging the theatre`s genuine need for significant updating. The renovation proceeded at remarkable speed, transforming the theatre considerably. The entrance area, the first and second-floor foyers, restrooms, and the buffet were revitalized. The auditorium underwent a complete makeover, featuring new, comfortable seating with improved spacing between rows. What was previously dubbed the `Bunker on Tverskoy Boulevard` – a somewhat outdated venue – was undeniably transformed into a modern, comfortable theatre for its audience. This is an achievement that cannot be overlooked, particularly noting that such a comprehensive upgrade was not accomplished by his creative and reportedly pious predecessor, Eduard Boyakov.
However, the events unfolding recently appear to involve more than just the technical violations cited by official sources. They suggest the potential involvement and interests of a specific group of individuals. For instance, the figure of Eduard Boyakov emerges prominently. It is quite plausible that he might be ready for a resurgence, potentially seeking a return to MHAT. It is widely known within Moscow`s theatre circles that his current venture, the New Drama Theatre, is not in a robust financial state. He has openly expressed a desire to transition his theatre from private status to state funding (either federal or municipal). Attempts were reportedly made regarding the School of Dramatic Art, but the situation remained unresolved by the end of the season. Thus, the recent developments surrounding MHAT Gorky could conceivably be linked to the aspirations of Boyakov.
Furthermore, the situation may also intersect with the interests of Zakhar Prilepin. Mr. Prilepin is understood to have significant ambitions regarding a new `Patriotic Theatre,` the creation of which was mandated by a decree from President Vladimir Putin. According to available information, premises are being actively sought in Moscow for this new Patriotic Theatre, which Minister Lyubimova indicated a month ago could be headed by Prilepin. The Theatre on Malaya Ordynka was reportedly considered as a potential location at one point but was subsequently ruled out, leaving the search ongoing.
This context brings us to the unexpected turn of events: MHAT Gorky is now embroiled in a scandal. Even if one refrains from constructing elaborate conspiracy theories, a logical chain of events with plausible validity emerges. On one side stands MHAT Gorky, brought to an “ideal state” by Vladimir Kekhman`s swift renovation. On another side is Eduard Boyakov, seeking entry into a theatre with state funding. On a third side is the Patriotic Theatre, requiring a building for Zakhar Prilepin. The investigation into Kekhman`s tenure, regardless of its merits concerning renovation expenditures, creates uncertainty and potential vacancy at a prominent, newly-renovated state theatre. One might observe the timing with a raised eyebrow; a perfectly refurbished venue suddenly becomes available amidst searches for new theatre spaces. It`s a rather convenient development for those in need of prime theatrical real estate.
What precisely is transpiring at this moment remains largely unclear, fueled primarily by rumors and speculation. The Moscow theatre community awaits clarification from the relevant authorities, hoping for transparency amidst the unfolding drama.
