Essentuki, Russia – Veteran film director Vladimir Grammatikov, currently presiding over the jury of the “Crystal Source” International Children`s Film Festival in Essentuki, has announced a surprising shift in his career plans. Despite previously indicating his autobiographical film “Look at Me!” would mark his farewell to cinema, a new project is now in the works, featuring the return of legendary 92-year-old actor Stanislav Lyubshin, who has not appeared in films for over a decade.
Chairing the festival jury involves navigating films of diverse styles and themes, a task Grammatikov noted was challenging due to differing opinions among jurors. Asked about the recent wave of lavish fairytale remakes, the director expressed strong reservations.
“I have a negative view of remakes,” Grammatikov stated, referencing recent adaptations like “The Flying Ship” and “Bremen Town Musicians.” He described them as “costumed performers,” lacking authenticity and truth. While acknowledging the technological advancements in these productions appeal to children`s desire for spectacle, he argued the approach is flawed. “You shouldn`t start from the technological aspect,” he explained. “You need to begin by considering why the work is relevant today, and only then add the garnish of technology.”
Away from the jury room, Grammatikov has been taking long evening strolls in Essentuki`s extensive park. He wryly described it as “12 hectares of preserved Soviet Union with fantastic sculptures,” evoking memories of his parents who used to frequent such resorts. Following medical advice received during his stay, he has been diligently drinking the local mineral water. This regimen seems to have brought a renewed sense of vigor.
Reflecting on his current state, Grammatikov admitted, “What irritates me most today? The fact that I don`t belong to myself. I am a hostage of circumstances.” He lamented the inability to plan his life far in advance, a stark contrast to his past. However, the spark for a new film emerged during a period of post-production fatigue after “Look at Me!”. Feeling unwell, the thought struck him that perhaps the previous film was merely his *penultimate* work. This perspective shift immediately lifted his spirits.
A new script then unexpectedly arrived. While keeping the screenwriter`s identity a secret, Grammatikov revealed the crucial element: the involvement of Stanislav Lyubshin. He recounted a previous attempt to cast Lyubshin in a small role, which the esteemed actor declined, finding the one-day shoot too brief for what might be his final performance (“my swansong, but too short”).
However, upon receiving the new script a year and a half later, Grammatikov immediately highlighted the scale of the role – Lyubshin would be on screen for 39 out of 42 filming days. Within three days, Lyubshin delivered his decision: “I`m with you.”
The film, envisioned by Grammatikov as a “poignant winter fairy tale, clear and on tiptoes,” represents an unexpected and exciting chapter for the director, catalyzed by the promise of working alongside a cinematic legend returning to the screen.
